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plugin Released 18th July 2005 Pulsar/Scope V4.X compatible plugin
for MAC+PC
The new De-Vice' sLiM-JiM compressor plugin offers you the most flexible compressor plugin on the planet with a distinct sound ranging from subtle to savage. (Read more below.
Sound samples at the
bottom of this page)
click the sLiM-JiM image to download demo (1.14 Mb). This otherwise
fully featured version bypasses every 25 seconds.
*Buy 'sLiM-JiM compressor plugin' now for 119 EURO* (Includes the full version
of the sLiM-JiM, graphic PDF manual and free updates)
View the Slim-Jim compressor plugin user manual
here (1.89 Mb)
sLiM-JiM compressor plugin sLiM-JiM compressor plugin follows up on the high standard the LeveL-DeviL compressor plugin set for extremely smooth and sonically satisfying compression and adds a ton of character which we hope means you will want to use it on everything! The main thing that sets the sLiM-JiM compressor plugin apart from the literally tens of compressors out there is it's powerful sidechain flexibility, unheard of for Scope platform compressors, real-time capability and smooth, characteristic sound. We wanted to create a compressor plugin with a unique
sound that gave you control of exactly how the compression reacts to
different signals so we offer you not only two styles of compression,
circuit detection (forward feed and sidechain feedback) but also a built-in,
frequency conscious, fully featured sidechain section allowing you to concentrate on the
music rather than having to stop to patch in external EQ. What it does 'sLiM-JiM compressor plugin' incorporates every possible feature a typical compressor could offer as well as many features available for the first time anywhere like simultaneous, built-in, multiband, frequency conscious compression, dramatic, conventional 'forward feed' and the extremely smooth LeveL-DeviL style 'sidechain feedback' compression algorithms give the sLiM-JiM compressor plugin it's distinctive sound.
Attack and release is adjustable with a simple button section from 'instant' to 'slow' with each setting having a slightly different 'knee' shape covering many different styles of compression quicker and more easily repeatable than a conventional fader. Optimum settings already found for you! The real-time nature of the Scope development platform which we use to create our plug-ins, means the sLiM-JiM compressor plugin could be designed and configured while it was actually being used in a typical multitrack mixdown scenario allowing the most appropriate settings to be tried out, found and stored for all controls. This design technique is used for all De-Vice' plug-ins and allows the creation of the ideal settings for all functions of our plug-ins with an aim to make our effects user friendly and ultimately more musically satisfying.
Powerful Built-in sidechain The sidechain is the part of a compressor that determines what the detection circuit is hearing and therefor how it responds to different signals. The integrated sidechain features allow the sLiM-JiM to focus it's compression on the areas of the sound you want to compress without effecting other frequencies negatively. No external patching in of EQs to the sidechain is required with sLiM-JiM compressor plugin! Simply press the button representing the frequency range you want to compress and a custom designed, internal EQ curve is engaged. Switches are provided for low, mid, high and all frequencies as well as an external mode where you can patch in your own EQ or effects for 'de-essing' and 'ducking' for example. Unlike other compressors, all the different sidechain buttons are selectable at the same time meaning you could decide to compress the lows and highs and leave the mid frequencies alone. This feature effectively makes the sLiM-JiM compressor plugin a multiband, frequency conscious compressor! Every sidechain button has a corresponding phase invert button allowing totally new compression effects no other compressor on the Scope platform has previously offered. Even a left and right to right and left channel switcher is part of the sidechain features giving you total control over it's function. A listen button is provided to allow 'soloing' of the sidechain so you can hear exactly what is being compressed. Unique Sidechain Listen Function for Dramatic EQ Effects When the small speaker, the sidechain listen button, is activated, you will hear what is being fed into the sLiM-JiM compressor's sidechain. Usually the user will press this button, listen to which frequencies are being compressed and then turn it off during normal use. Boring...!!! We have designed all of the sidechain buttons to be used just as any other part of the compressors signal path. Any of the wildly different sounding EQ curves can be engaged at the same time giving you a huge range of sound options. You can squash the sound to bits, engage the 'mid' sidechain EQ button for a garage like sound then fatten the whole thing up like it's been recorded to tape using the 'saturation' control!
Both 'Forward Feed' and 'Feedback' sidechain compression styles Because the sidechain part of a compressor is what determines the way the circuit reacts to signal and is therefore a very important factor in it's sound, two types of internal sidechain are included standard with the sLiM-JiM compressor plugin giving two distinctly different operational characteristics. When the 'style' button is set to 'RV' the 'Sidechain Feedback' * method is used closely matching that found in classic analog, valve compressors from the dawn of compression and the same found in our much loved LeveL-DeviL compressor plugin which automatically senses it's own output and automatically adjusts the response of the compression accordingly to give you extremely smooth, natural gain reduction without the unwanted side effects of valve circuits such as typically high noise floor, distortion and other possibly musically unfriendly artifacts. When the 'style' button is set to 'FW' the more conventional 'Forward Feed' method is used giving a much more obvious compression with lots of 'breathing' and 'sucking' which offers a savage squash that can really make drum tracks move or tighten up inconsistent bass playing for example. * Read more about this technique here... 'Dynamic Link' function Dynamic link is a special feature of the sLiM-JiM which 'ties' or 'links' the threshold/compress fader to the ratio control causing the ratio to increase as compression increases with a very small ratio (1:2.1) at the top through to around 20:1 at the bottom. The 'knee' also becomes rounder and more gradual as it changes. When disengaged, the ratio switches then determine by how much the output is reduced. With settings from 3:1 through to hard limit, the amount of sLiM-JiM's compression is quickly and simply switchable and covers all useful ratio settings you are likely to need. New 'Saturate' feature for analog tape like compression The saturate control adds another, soft band of compression and overdrive which resembles analog tape compression to help fatten the sound. If you want, you can use this alone by switching off the ratio buttons to simply fatten weak sounds without using the compression circuit for a nice, smooth tape squash.
Rumble reduction
We've also included a very effective anti-rumble filter for cleaning critical and problematic tracks and mixes. This is not a conventional EQ filter at all but a specially designed filter phase network which concentrates on nonmusical frequencies which can muddy up a mix. Great for vocals and solo instruments, it helps reduce the frequencies causing boominess generally found around the 30-120HZ region. So, that just about rounds out what we hope will be your Favourite Scope compressor of all time! Sound samples at the bottom of this page Plugin F E A T U R E S
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Please
Note:
This
plugin is currently NOT compatible with XTC mode on Mac and PC
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These MP3 samples were
made with sLiM-JiM compressor plugin only
and have no other effects added including external EQ. We hope they help to demonstrate to you the enormous range of compression effects that are possible with the sLiM-JiM compressor plugin.
The first kit in the Drums 1 section was recorded by me in an acoustically designed and isolated drum room in a studio Berlin with Rode Nt-1 mics on Kik and snare, Gefell MV692 pencil mics with M92 and M70 capsules as overheads an Audio Technica 4041 pencil mic on hi-hat, Gefell UM70 mics on toms and a Neumann TLM103 mic on the floor into Telefunken v676a preamps, Creamware A16 Ultra 24 bit converter into a Korg 1212 card into Logic Audio Pro 6.43 on a beige Mac G3 desktop running OS9.2. Drums 1 Here is a dry, uncompressed
drum kit played with brushes...
Thanks to Snorre Schwartz
for the snippet!
Here is the same kit
after using sLiM-JiM's 'Big FAT KiT' factory preset.
You'll notice more air
around the drums, especially the kik and the whole kit sounds fatter and
more controlled but has not had the life squashed out of it.
Here is the kit again
after using sLiM-JiM's 'Garage Drums FX' factory preset.
Brush KiT Garage FX (MP3 262 KB) And again with the 'Baby-BrighT KiT ' factory preset which shows how dramatic you can get Brush KiT Baby-BrighT (MP3 262 KB) The kit recording here was done in a medium sized room with a Beyer M88 on kik, Shure Beta 57 on snare and 2xRode NT1 mics on the overheads. The mic preamps were GS3 Allen and Heath mixer preamps and it was recorded through a Creamware A16 classic (18bit) interface into Scope on a crappy PC running Logic Audio. 4.8
Drums 2 Here is a dry, acoustic kit loop... KIT DRY Here is the same loop
fed through sLiM-JiM compressor plugin with the 'FAT KIT' setting
This time with the FX
mode turned on for a thin cutting kit
Vocals Here is a dry vocal male recorded with an Audio Technica AT-4041 small diaphragm microphone and a Mackie MS1202VLZ mixer pre-amp with no other processing. Note how the level of
the voice is not very consistent and is lacking bite.
Here it is the 'Vox Classic'
preset.
Note how the vocal now
sounds smooth and consistent in level with an airy quality which will
help it sit much better in the mix.
vox classic
Here it is the 'warm
vox de-ess' preset.
You will notice that
the take sounds fuller in the bottom end than the vox classic sample
and the 'ess' sounds have been reduced for a warmer, fuller tone.
vox warm de-ess'
This was done with
the 'Vox Close' preset of the sLiM-JiM compressor plugin using the EFX capabilities
to create an interesting vocal effect with real personality and the
ability to cut through a dense mix.
Thanks to LIME for the vocal demo! Bass Here is a live bass
mic on the amp recording with some drum kit bleed.
Note how the level
of the bass is not very consistent and is lacking bite.
DRY BASS (MP3 124KB) Here is the same bass
after going through the 'Bass Smoother' preset. Now it's far more even
and still full.
bass smoother Again using the EFX
capabilities of the sLiM-JiM compressor plugin in the 'Bass Picky' preset for a ready to go
in the mix bass sound with special character.
bass picky Thanks to LIME again for the bass demo!
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